Brigantine Multi-Image Panoramas, Set 1

On our visit to the Brigantine Division of the Edwin B. Forsythe NWR I was using a variety of cameras to make a series of multi-image panoramas. I shot a lot of images so I would have a “library” of images to use for posting here during the Winter months. I was using the following cameras – Canon R with a 150-600mm lens, Panasonic LX-1 Pocket Camera in 16×9 format, OM-D 1 Olympus with a 7.5mm Fisheye lens and a iPhone 11 Pro. For this post all images were with the iPhone 11 Pro with mostly the 1.5mm lens (Full Frame Field of View Equivalent ~ 13mm) & the 4.3mm lens (Full Frame Field of View Equivalent ~ 26mm). The Featured Image was taken early in the am before the Wildlife Drive got crowded. I used my iPhone 11 with the 4.3mm lens to take a series of 12 overlapping images for the panorama image.

Observation Tower, 3 image panorama, iP11 Pro w/ 1.5mm lens
Observation Tower, 3 image panorama, iP11 Pro w/ 1.5mm lens, faux infrared B&W
Brigantine Landscape, 11 Image Panorama, iP11 Pro, 1.5mm lens (FF Equiv. ~13mm)
Brigantine Landscape, 7 Image Panorama, iP11, 4.3mm lens (FF Equiv. ~26mm)
Brigantine Landscape, 5 Image Panorama, iP11, 1.5mm lens (FF Equiv. ~13mm)
Brigantine Landscape, 5 Image Panorama, iP11, 1.5mm lens (FF Equiv. ~13mm)
Brigantine Landscape -same view as above but higher view of clouds, 6 Image Panorama, iP11, 1.5mm lens (FF Equiv. ~13mm)

Brigantine iPhone Multi-Image Landscapes

I was going through images to post and found this series of iPhone Multi-Image Landscape images from the Brigantine Division of the Edwin B. Forsythe NWR in Oceanville NJ. The clouds on this visit were amazing and I decided to try shooting a series multi-image panoramas using only my iP11 Pro using the 3 different focal length lenses on the iPhone. Overall they worked out quite well. I was never fond of the panorama feature on the iPhone because of the “bowing & bulging” look to the iPhone panoramas. Instead I shoot a series of images and assemble them in Photoshop. Also the pano feature on the iPhone only gives you a “long” image unlike shooting a series of images in multiple rows giving a longer & higher view. The Featured Image is a 3 image pano, shot with the 1.5mm lens & assembled in Photoshop.

Brigantine 6 Image Pano, iP11 Pro, 1.5mm Lens
Brigantine 2 Image Pano, iP11 Pro, 1.5 mm Lens
Brigantine 2 Image Pano, iP11 Pro, 4.3mm lens
Brigantine Observation Tower, 3 Image Pano, iP11 Pro, 1.5mm lens
Brigantine 4 Image Pano, iP11 Pro, 1.5mm lens
Brigantine 3img-Pano, iP11 Pro, 4.3mm lens
Brigantine 4img Pano, iP11 Pro, 1.5mm lens
Brigantine 4img Pano, iP11 Pro, 1.5mm lens
Brigantine 5img Pano, iP11 Pro, 4.3mm lens
Brigantine 4 image Pano, iP11 Pro, 1.5mm lens
Brigantine 11 image pano, iP11 Pro, 4.3mm lens
Brigantine 11 image pano, iP11 Pro, 4.3mm lens
Brigantine 7 image pano, iP11 Pro,1.5mm lens
Brigantine 6 image pano, iP11 Pro,1.5mm lens

Sandhill Crane Panoramas From Lake Woodruff NWR

These are from a trip a couple of years ago to Lake Woodruff NWR. It is located in Volusia County, Florida near the community of DeLeon Springs. It is a very interesting NWR to visit and is surprisingly empty of visitors except for the Wildlife. If you see a few groups of visitors there it is not the norm. Many times you are there almost completely by yourself which because of the size it is a little strange feeling. The famed St Johns River forms the western boundary of the 22,000-acre refuge. The refuge contains a wide variety of habitats. Among them are marshes, swamps, creeks, hammocks and uplands. One of my favorite birds besides Bald Eagles are Sandhill Cranes which seem to really like this Refuge. On this day there were quite a few Sandhill Cranes roaming around the ponds close to the entrance. It is very strange to have a bird that large walk right up to you to check you out. Many times you are just a few feet from them. On previous visits they were more wary and did not get close. I was just using a Canon 7D with a 300mm lens for wildlife and my iP11 Pro for landscapes. The Featured Image is a 7 horizontal images panorama stacked vertically to get the whole Crane in. When shooting panoramas of slowly moving birds foraging you still have to shoot the sequence very quickly to have the images line up correctly without having to do a lot of touch-ups on the overlaps.

Sandhill Cranes, 5 – 300mm Horizontal Images, Stacked Vertically, assembled in Photoshop
Sandhills Making Noise, iP11 Pro
Tail Feathers, 300mm, Canon 7D

Lake Woodruff NWR Multi-Image iPhone Panoramas

Many times when we are out walking in Wildlife Refuges I carry a main camera with a 400mm lens or a 150-600mm zoom lens and a m43 camera with wide angle 14-140mm lens. I also have in my photo vest a few Teleconverters just in case I see something interesting farther out for the full frame camera. But as I am getting older I am using my iP11 Pro more for the Wider or Multi-Image Landscape Panorama shots. The Featured Image is made with the iP11 Pro using the 1.5mm lens (Full Frame Camera Equivalent ~13mm). I shot 14 images, shooting 3 rows of 4 images and then 2 images in the center just as a precaution to make sure the images line up successfully. When using the iP11’s 1.5mm lens I overlap the images even more than if I was using the 4.3mm or 6mm lens. Photoshop does a good job lining up and blending the multi-rowed images from the iPhone..

Lake Woodruff NWR Landscape, iP11 Pro, 4.3mm lens, 8 image panorama. 2 rows of 4 overlapping image.
Lake Woodruff NWR Early Morning Sunrise, iP11 Pro, 1.5mm lens (Full Frame Camera Equivalent ~13mm) 6 image panorama. 2 rows of 3 images

Brigantine Cloudscapes & Landscapes

The cloudscapes were Great on our visit to the Brigantine Division of the Edwin B. Forsythe National Wildlife Refuge in Oceanville New Jersey. For the Landscapes I was using 3 different setups depending on what I was trying to show in my images. For really wide views of clouds & landscapes I used an Olympus OMD-1 with a 7.5mm Fisheye lens (180 Degree FOV) or my iPhone 11 Pr0 with the 1.5mm (Full Frame Equivalent Field of view ~13mm) or the 4.3mm lens (Full Frame Equivalent ~26mm). I corrected the Fisheye lens Distortion of the 7.5mm Fisheye lens on the Olympus in Photoshop using the Adaptive Wide Angle Filter that is accessed under the main “Filter” listing on the top menu Pull Downs. For the far out or distant landscapes with flocks of birds I was using a Tamron 150-600mm lens on a Canon R (Some with a 2X Teleconverter giving me a 300mm to 1200mm).

The Featured Image is a 3 image panorama taken with a 7.5mm Fisheye Lens on an Olympus OMD Camera.

Brigantine Landscape Panorama, 8 images, iP11 using 6mm lens (Full Frame Equivalent FOV ~ 52mm)
Brigantine 4 image Panorama, iP11 Pro, 1.5mm lens (Full Frame Equivalent FOV ~ 13mm) Assembled in Photoshop
Early Morning Skyscape , iP11 Pro, 1.5mm lens, (Full Frame Equiv. FOV ~ 13mm) 3 Horizontal Images, Stacked Vertically, Pano Assembled in Photoshop
Brigantine Landscape, 3 Image Panorama, 7.5mm Fisheye Lens, OMD-1
Brigantine Landscape, iP11 Pro 1.5mm lens (Full Frame Equivalent ~13mm)
Brigantine Cloudscape, 7.5mm Fisheye, Olympus OM-D, De-Fisheyed in Photoshop
Brigantine Landscape Panorama, 6 images @ 150mm, Canon R, 150-600mm Tamron

Tree Panorama From Davidsons Mill Pond Park

We were taking a walk through the woods at Davidsons Mill Pond Park to get some exercise & fresh air. I was just using my Phone 11 Pro looking for interesting landscapes on the trails going though the woods. This image was near the very end of the trail through the woods. I was using my iP11 Pro with the widest lens 1.5mm (Full Frame Camera Equivalent ~ 13mm). I took 5 horizontal images in a series going from somewhat straight on to looking up, then the final image getting the top of the trees. I loaded those images layered in one Photoshop file and blended them for my flattened image file. I then adjusted my final blended image to get rid of most of the “distortion” because of the extreme wide angle of the 1.5mm iPhone 11 lens. This corrected a lot of the “bowing of the trees reaching for the sky”. It actually came out better then I thought it would.

BRIGANTINE IPHONE MULTI-IMAGE PANORAMAS

On our recent trip to the Brigantine Division of the Edwin B. Forsythe National Wildlife Refuge in Oceanville, NJ, I was traveling light. Mainly using a Tamron 150-600mm lens on a 1D mkIV, a 12-24mm zoom on a Canon R and my iPhone 11 Pro for multi-image landscapes & multi-image panoramas. The Canon R with the 12-24mm never made it out of the camera bag. I was having more fun shooting multi-image Panoramas on my iPhone 11 Pro. The featured image is 13 images shot in multiple images per row & then multiple rows with the iPhone 11 Pro & the 1.5mm lens.

Brigantine 5 Image panorama, iP11 Pro, 1.5mm lens (Full Frame Equivalent 13mm lens)
Brigantine 4 Image panorama, iP11 Pro, 1.5mm lens (Full Frame Equivalent 13mm lens)
3 Image Panorama, iP11 Pro, 1.5mm lens, Full Frame Equivalent 13mm)
Brigantine 8 Image Landscape, 1Phone 11 Pro, 1.5mm lens (Full Frame Equivalent 13mm)
Brigantine 14 Vertical image Landscape, iPhone 11 Pro, 1.5mm lens (Full Frame Equivalent 13mm)

Multi-Image iPhone Panoramas From Plainsboro Preserve

I like doing multi-image panoramas for my landscapes. But shooting with wider lenses on a Full Frame camera, I tend to get more sky & foreground in my images than the areas I want to have as the main subject. With an iPhone 11 Pro using the panorama feature you tend to get a distortion or a “bowing” effect in the middle of the image which to me looks strange or distorted. So for panoramas with the iPhone I shoot a series of overlapping horizontal or vertical iPhone images and “blend” them in Photoshop. Depends on the scene I am trying to capture as to iPhone orientation. If my subject is closer up I would use vertical images, if farther away I would use the iPhone horizontally. On the iPhone 11 Pro if I am using the 1.5mm lens (Field of View on a Full Frame Camera equivalent is ~13mm) I would shoot even more images for the panorama, with more overlapping on each of my images. If using the 4.3mm lens, I would overlap a little less. When using the 6mm lens I could use even less for the image I want to photograph. Basically you have to do a few and see what works best for you. Most of my Multi-Image iPhone panoramas are horizontal images. If doing a Vertical overlap the images more. The featured image is 10 overlapping vertical iPhone 11 images shot with the 1.5mm lens.

The iPhone Camera Lenses Field of View Equivalents:

4 Horizontal Image Panorama with 1.5mm lens, iPhone 11Pro (Full Frame Equivalent 13mm)
2 Horizontal Image Panorama, 1.5mm Lens, iPhone 11 Pro (Full Frame Equivalent 13mm)
2 Horizontal Image Panorama, 1.5mm Lens, iPhone 11 Pro (Full Frame Equivalent 13mm)
2 Horizontal Image Panorama, 1.5mm Lens, iPhone 11 Pro (Full Frame Equivalent 13mm)
9 Vertical Images 1.5mm Lens, more overlapping of images, iPhone 11 Pro (Full Frame Equivalent 13mm)
12 Horizontal Images, again more overlapping of images, iPhone 11 Pro, 1.5mm lens
McCormack Lake, 7 Horizontal Images, iPhone 11 Pro, 1.5mm lens
When Shooting Multi-Image Panoramas you sometimes find a surprise when assembling them. Here a falling branch showed up in the final panorama, which I cloned out. But sometimes you get birds or even the same bird flying through as you are capturing the sequence of images.

Photoshop Auto-Align Layers Window for Blending The Panoramas. Cylindrical seems to work well for iPhone 11 Pro multi-image panoramas, especially when using the 1.5mm lens.
After Auto-Align, use Auto Blend for “blending the layers into 1 image layer

Once you load all the images into Layers you have to Align the layers before blending. With the small lenses in the iPhone 11 Pro, I tend to use the “Cylindrical” setting most often because of the small 1.5mm, 4.3mm or 6mm lenses. But you may have different outcomes. For larger sensor cameras I usually use the “Auto” setting. Also you will have some white or blank areas usually in corners. So while “blending” the layers you can check on “Content Aware Fill” to let Photoshop Fill In these Areas Automatically. If you try one setting and do not like the effect, just go back in History and try a different setting. For Full Frame Digital Camera images I usually use the “Auto” setting.

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