Posted on August 10, 2020
On our photo walk at Davidsons Mill Pond Park, I noticed this Immature Common Whitetail male dragonfly warming on a rock. It had a cluttered background behind the dragonfly, so I shot 3 images wide open, f5.6, at different focus points. 1st on the left wing, 2nd on the body, then the right wing. When I was working on the files, I loaded the 3 images in one layered Photoshop file. I selected all three layers and selected Auto-align, then auto-blend for the final merged image. When you do auto-blend Photoshop automatically blends what it thinks are the best areas to use for the final blended image. Sometimes you might need to do a tiny touch up here or there, but usually it does a pretty good job. Since I was using a tripod for these images they lined up nicely and I did not need much in the way of touch-ups on this image. I was using a 300mm f/4 with a 1.4x teleconverter. To keep the background smoother I was shooting wide open, but with a 1.4x teleconverter that would be @ f/5.6. Usually when I use a teleconverter, if there is enough light, I stop down a little more then I usually do to help with sharpness. On a 1.4x I stop down at least 1 f/stop, on a 2x teleconverter I stop down at least 2 stops (Again, if there is enough light). But on this series I wanted a smoother background so I did not stop down and left it @ f/5.6.
Category: Blog, Davidsons Mill Pond Park, Dragonflies, Favorite Locations, Focus Stacking, Uncategorized Tagged: canon 1.4x teleconverter series III, canon 300mm f/4 lens IS, Canon 7D, common whitetail, Davidsons Mill Pond Park, Image stack. image stacking, image stacking with photoshop, Immature Common Whitetail Dragonfly, Immature Common Whitetail Male Dragonfly
Posted on April 11, 2020
WARNING _ LONG POST!!
Being we are not supposed to be out and about, especially here in NJ, I thought these images would give some an inspiration to see what you can find interesting to photograph in their own yards or close to home. You can post yours so we can see what is happening in others areas. They closed all the Parks and other outdoor spaces here and limit travel basically only for food & essentials. They are even limiting the amount of people in the stores. So here are some macro images I have taken in my own yards over the years with different types of cameras and lenses. I tend to use a variety of cameras, lenses & different types of m43 and Canon Cameras. Many times for macro images I adapt older Canon FD manual focus lenses on my m43 Panasonic or Olympus Cameras. Doing this I get an approximate FOV of 2X on these manual focus lenses plus get a longer working distance to my subjects and with increased depth of field (in simple terms). It is fun to see what you can come up with. The featured Damselfly image is taken with a Canon FD 200mm f/4 macro lens on a m43 camera. My most used FD macro is the 200mm because it gives me a longer working distance to my subjects. The following sampler of macro images are with both m43 Cameras and Full Frame Canon Cameras for an interesting Macro Mix.
Blue Dasher Head Shot – 200mm Canon FD Macro on m43 Camera (Full Frame Equivalent View – FOV ~400mm)
Praying Mantis Portrait – 150mm Macro Canon R
Eastern Pondhawk – 200mm Canon FD lens on m43 Camera (Full Frame FOV ~400mm)
Blue Dasher, Male – 300mm Canon EF lens with 1.4X Teleconverter
Water Drop Panorama – 2 images, 200mm Canon f/4 FD Lens, m43 Camera
Water Drops After Rain – 3 image Panorama, 200mm Canon FD lens – Panasonic m43 body
6 image Focus Stack & Pano – 200mm f/4 FD Canon Lens on Panasonic m43 Body
Dandelion 7 image Pano & Image Stack, 200mm Canon FD lens, Panasonic m43 body
Dandelion 5 image Image Stack for more Depth of Field, 200mm Canon FD lens, Panasonic m43 body
6 image, 200mm Canon FD macro, Panasonic m43 Body
1 shot, Canon FD 200mm Macro, Water Drop, Panasonic m43 Body
200mm, Single Image – Aligned camera so I was shooting straight in to subject eliminating the need for stacking multiple images.
Water Drops – Single Image
Female Blue Dasher Head Shot – 100mm Canon FD macro lens
Damselfly – 200mm FD Canon Macro lens
Flower detail – 200mm Macro lens, Panasonic m43 Camera
Day Lily After Rain – FD 200mm, m43 Camera
4-images stacked in CC Photoshop, 150mm macro @ f/8
Starburst on bud, 200mm FD on m43 Panasonic Camera
Milkweed bug eggs on leaf – Panasonic m43
Day Lily Stamen v1 – Short Stack (2 images) for softer background
Water Drops after the Rain – 10 images @200mm m43 Olympus Camera
3 image Short Stack – @200mm m43 Olympus Camera
Single Shot – 200mm @ f/4 for Softer Background
Water Drop On Leaf – 50mm, Panasonic m43 Camera
Lady Bug – 100mm macro
Echinacea Multi-image Pano, 200mm FD Macro lens, Panasonic m43 Camera
Korean Dogwood – 200mm, m43 Camera
TreeHopper (?) 200mm, Panasonic m43 Camera
200mm macro, RainDrops on Feather (looks like a fish) Panasonic GH2
Multi-Image Zinnia Image, 200mm m43
Teneral Eastern Forktail Damselfly, 200mm Canon FD lens, Panasonic m43 Camera
Eastern Carpenter Bee, 200mm FD Lens, Panasonic GH2
Jagged Ambush bug, 200mm FD lens on Panasonic GH2
Rain Drops, Multi-Image Stack, 100mm, Panasonic m43
Lichen on Wood, 200mm, Panasonic m43 Camera
Damselfly, 200mm FD Macro lens, Panasonic GH2
Closer View – Damselfly, 200mm Canon FD macro, Panasonic m43 body
Water Drops on Flower Stamen, 50mm FD macro, Panasonic m43
Category: Blog, Damselflies, Dragonflies, Equipment, Gardens, Insects, Macro Photography, Nature Still Lifes, Panorama & Stacked Images, Panoramas, spiders, Stacked Images, Tips & Techniques, yard & pond Tagged: Bugs, Canon 50mm Macro, FD Canon 200mm f/4 macro lens, Flower, image focus stacking, Image stack. image stacking, image stacking with photoshop, m43 camera, Macro, Macro Photography, nature, Sigma 150mm f/2.8 macro, Yard Photo Subjects
Posted on September 6, 2019
I like using a few different camera systems depending on what I am shooting. Or more likely, what I want to carry & lug around. If I am at a location working near the car, that is not usually a problem. But sometimes I just like walking around, but still want to photograph some interesting subjects that I might come across. Here I am using one of my m43 camera bodies with an adapted old style Canon FD 200mm Macro lens. On m43 cameras it is sort of equivalent (in easy terms) of using a 400mm macro an a full frame body. Instead of going to 1X magnification, because of the crop factor of the m43 system the FOV (Field Of View) is ~2X. This is a 3 image panorama. Luckily the Damsel co-operated for me.
Damselfly – Single Image
Damselfly 4img (overlapping) Focus Stack
Category: Blog, Favorite Locations, Macro Photography, Panoramas, Photo Tips, Stacked Images, Tips & Techniques, yard & pond Tagged: adapting lenses, Canon FD 200mm f/4 macro, Damselfly, Dragonfly Panorama, Focus Stacking, image blending, Image stack. image stacking, m43 panasonic, yard, yard & pond
Posted on April 27, 2018
We did a quick go through at the Longwood Gardens Conservatory as we were concentrating on the Tulips outside. It was also quite crowded inside, so I mainly concentrated on Flower Closeups inside. Here I am showing some overall inside landscapes of a few of the interior rooms when there was a quick moment with fewer people around. Because it was darker on floor level, when I had the glass above showing, being much brighter, I made another layer in Photoshop and brought back the “Blue” of the sky in the glass.
Single Image @14mm, m43
2 Image Handheld Stack, @14mm, m43, to give the image a little more foreground.
2 image exposure stack for sky detail, m43 @14mm
Multi-image stack @14mm for exposure and wider view.
Interesting Light Fixture
Posted on March 16, 2018
While looking for a photo subject in the yard, I saw these tiny raindrops on a evergreen shrub. It looked like an interesting pattern of raindrops going back into the shrub. I liked the circular dark hole in the background as a distant destination point. Almost like a “black hole” in the distance. I shot a series of 10 images at f/8 in different focus points along a range from near to far for the range I wanted to shoot. Then I opened all the images in Layers in one Photoshop file. Selecting all the layers, I used Auto Align to line up all the drops in the layers. After aligning, I used Auto Blend to combine all the “in focus” sections into one flattened image.
The First Near Focus Image in the Stack.
The Tenth Final Image in the Stack
Posted on July 16, 2016
I came across this Black-crowned Night-heron along the path as I was walking. It was too close for the lens I had (400mm). So I shot a handheld 3 shot, overlapping, sequence to fit all of the heron in my photo. I assembled them in Photoshop and cropped in somewhat. The Heron did not seem to mind me being there. Usually they fly off you stay too long.
Posted on December 6, 2015
Sometimes while I am waiting for a photo subject to come into view, I experiment with different techniques with what I see in front of me. Helps pass the time until a photo subject flies by. I saw this tall plant and wanted to see if a handheld series of horizontal shots for a vertical panorama would work. I have done this with birds, snakes, mammals and alligators but wondered if it would work with all the leaves and branches, much more varied detail and items to line up. I was surprised it worked well, not a great composition, but more of a test project, 5 horizontal shots for a vertical panorama, with the uneven sides cropped off. Shot with a Canon 400mm f/4 DO Lens, with a 2X Canon Teleconverter.
Posted on August 1, 2015
Here are examples of stacked Damselfly images to show the difference between stopping down to f/22 or f/32 for depth of field and maximum focus of the subject Damselfly resulting in a busier background , or using f/5.6 or f/8 with stacked focus points giving depth of field and focus of the Damselfly and yet yielding a smoother looking background. All examples were aligned and stacked in Photoshop. One “BIG” challenge is hoping the damsel does not move or “flyoff” before you are done. The female Eastern Forktail stands out against the green soft background more than the bluish male. Focus Stacking is great for maximum depth of field and focus on your subject if that is what you are trying to convey. There are times when a narrower depth of field is more “Artsy” or “Softer” look and gives a different feeling for what you are trying to show.
Male Eastern Forktail shot @ f/32 for maximum depth of field in “one” shot. Showing “busier” distracting background around the damselfly.
Non-Stacked Image shot at f/5.6 showing shallow depth of field on the Damselfly, but yielding an uncluttered background. But does give the main focus on face.